Also with Cate Blanchett, Rooney Mara, Toni Collette, Richard Jenkins, David Strathairn, Willem Dafoe, Ron Perlman, Mary Steenburgen, Mark Povinelli, Peter MacNeill, Holt McCallany, Jim Beaver, Clifton Collins Jr., and Tim Blake Nelson. This tragedy about a man who doesn’t know when to stop builds to a ruthless conclusion that the old film-noir masters would have admired. The psychological depth here is impressive, with Cooper’s charisma in fearsome form as an abused kid who’s applying his skills at reading people.
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This may look too good in the sequences set among the marginal types in the carnival, but Del Toro’s willingness to go in for gore saves his movie from being overly tasteful. Adapted from William Lindsay Gresham’s novel, this stars Bradley Cooper as a con artist who joins a traveling carnival in 1939, learns the tricks of appearing to read minds, strikes out on his own as an entertainer, and becomes entangled with Buffalo’s power elite. Nightmare Alley (R) The original 1947 film is really good, and so is Guillermo del Toro’s remake, in a lusher and different vein. Also with Da’Vine Joy Randolph, Patti Harrison, Héctor Anibal, Thomas Forbes Johnson, Oscar Nuñez, Bowen Yang, and Stephen Lang. The film runs out of power way before its ending. A comedy about these two going up against each other would have been better than this one that spends too much time going into the characters’ backstories and has too few funny bits from the leads. Radcliffe makes a funny, sputtering villain and Brad Pitt has a great time in a brief cameo as the ultra-manly operative who accompanies the cover model. The man who poses as a model on the cover of her books (Channing Tatum) pursues them in a mostly ineffectual attempt to rescue her. Sandra Bullock plays a best-selling romance novelist who is kidnapped by a bratty British billionaire (Daniel Radcliffe) because he thinks she knows the location of a buried treasure on an island in the Atlantic that looks like a generic jungle set. The Lost City (PG-13) The stars are upstaged by the supporting players in this comic adventure-romance that has too little comedy. Also with Aunjanue Ellis, Tony Goldwyn, Kevin Dunn, Rich Sommer, Jimmy Walker Jr., and Dylan McDermott. Jon Bernthal pilfers some scenes as a tennis coach who’s also part snake-oil salesman. No surprise given that the Williams sisters are producers on this film, but it makes for bad drama.
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For all the movie’s efforts to paint Richard with flaws and all, it still doesn’t know how to treat him except as a hero. The script labors mightily to distinguish Richard Williams from all the other crazy tennis parents screaming at their kids and turning them into burnout cases, yet the movie can’t stray far enough from the conventions of sports movies. Will Smith plays the father who plans to raise his daughters Venus and Serena (Saniyya Sidney and Demi Singleton) to be tennis prodigies even before they’re born. King Richard (PG-13) Serena Williams may be the greatest tennis player who has ever lived, and yet somehow it’s her dad who they make the movie about. Also with Denis O’Hare, Parker Sawyers, Joshua Rollins, and Eliot Sumner. Infinite Storm (R) Based on the real-life experience of Pam Bales, this film stars Naomi Watts as a mountain climber who tries to rescue another climber (Billy Howle) on Mt. Also with Caitríona Balfe, Lewis McAskie, Josie Walker, Freya Yates, Michael Maloney, Colin Morgan, Mark Hadfield, John Sessions, and Judi Dench. This is an appropriate companion piece to Brooklyn. If the climactic confrontation is over-the-top, the film is better when it shows its kids being kids even amid the street uprisings and the turmoil in their homes. The cast is mostly from Norn Iron, and Ciarán Hinds is particularly good as an ethically shady but lovable old grandfather. The young Hill is the real deal whether he’s deconstructing his cousin’s theories about Catholics or staring in awestruck wonder at the movies he watches at the local theater. His fictional stand-in (Jude Hill) grows up in Northern Ireland in 1969, where sectarian religious violence is forcing his dad (Jamie Dornan) to consider moving the family somewhere out of harm’s way. Belfast (PG-13) Kenneth Branagh mines his autobiography for this coming-of-age story, and it’s charming rather than overbearing.
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